BLUE BOY by JEAN GIONO. CHAPTER I. Mof my age here remember the time when he road to Sainte-Tulle was bordered by a erried row of poplars. It is a Lombard cus om to plant poplars along the wayside. This road came, with its procession of trees, from the very heart of Piedmont. It straddled Mont Genevre, it flowed along the Alps, it caine all the way with its burden of long creaking carts and its knots of curly-haired countrymen who strode along with their songs and their hussar pantaloons flutter ing in the breeze. It came this far but no farther. It came with all its trees, its two-wheeled carts, and its Pied monteses, as far as the little hill called Toutes-Aures. Here, it looked back. From this point it saw in the hazy distance the misty peak of the Vaucluse, hot and muddy, steaming like cabbage soup. Here it was assailed by the odors of coarse vegetables, fertile land, and the plain. From here, on fine days, could be seen the still pallor of the whitewashed farmhouses and the slow kneeling of the fat peasants in the rows of vegetables. On windy days, the heavy odors of dung heaps surged in waves along with the broken, bloody bodies of storms from the Rhone. At this point the poplars stopped. The carts rolled noisily into the jaws of the way side inns with their loads of corn flour and black wine. The carters said, Porca wwdona They sneezed like mules that have snuffed up pipe smoke, and they stayed on this side of the hill with the poplars and the carts. The chief inn was called Au Territoire de Piemont. In those days, our country was made up of meadows and fair orchards that used to unfold in a magnificent spring time as soon as the warm weather came up the Durance Valley. They knewhow to recognize the approach of the long days. By what means, no one knows. By some bird cry or by that burst of green flame that lights up the hills on April evenings. They would simply begin to flutter while the frost was still on the grass, and, one fine morning, just when the bluish heat weighed upon the rocky bed of the Durance, the gaily flowered orchards would begin to sing in the warm breeze. That we have all seen from the time we were mere urchins in our black school smocks. I remember my father's workroom. I can never pass by a shoemaker's shop without thinking that my father still exists, somewhere beyond this world, sitting at a spirit table with his blue apron, his shoemaker's knife, his wax-ends, his awls, making shoes of angel leather for some thousand legged god. I was able to recognize strange steps on the stairs. I could hear my mother saying below, It is on the third floor. Go up, you will see the light. And the voice would reply, Grazia, signora And then the sound of the feet. They stumbled on that soapstone step near the top of the first flight. The loose boards in the landing rattled be neath the heavy boots. Their hands pressed against the two walls in the darkness. Here comes one of them, said my father. Putamr That is a Romagnol, said my father. And the man would enter. I remember that my father always gave them the chair near the window, then he would lift his spectacles. He would begin to speak in Italian to the man who sat erect, hands on thighs, all perfumed with wine and new corduroy. Sometimes it took a long time. At others, the smile came almost at once. My father spoke without gestures, or with very slow ones, because he held a shoe in one hand and theawl in the other. He would talk until he saw the smile. It was useless for the other to haul out papers, to tap on his papers with the back of his hand. Porca di Dior Until the smile appeared my father talked on, and some times the other would say in a hushed tone, Che bellezza Then the man would smile. Moreover, they did not come to my father at once. I do not know by what miracle they came. ...
Designed for all ages and levels of experience, a step-by-step illustrated guide to capoeira, a whole-body martial arts training program that can be done anywhere in as little as fifteen minutes per day, introduces one hundred key capoeira techniques, conditioning exercises, and drills that can be performed alone or with a partner. By the author of Capoeira Conditioning. Original.
The Dormant Beast
Set during the break-up of Yugoslavia, the story deals with individual, collective, developing and potential memory.
Georgina Kincaid has formidable powers. Immortality, seduction, shape-shifting into any human form she desires, walking in heels that would cripple mere mortals—all child’s play to a succubus like her… Helping to plan her ex-boyfriend’s wedding is a different story. Georgina isn’t sure which is worse—that Seth is marrying another woman, or that Georgina has to run all over Seattle trying on bridesmaid dresses. Still, there are distractions. Georgina’s roommate, Roman, is cluttering her apartment with sexual tension. Then there’s Simone, the new succubus in town, who’s intent on corrupting Seth. But the real danger lies in the mysterious force that’s visiting her thoughts, trying to draw her into a dark, otherworldly realm. Sooner or later, Georgina knows she’ll be too weak to resist. And when that happens, she’ll discover who she can trust, who she can’t—and that Hell is far from the worst place to spend eternity… Praise for Richelle Mead and her Succubus series. . . "This is one of those series I'm going to keep following." --Jim Butcher, New York Times bestselling author "The mix of supernatural mystery, romance, and reluctant succubus is great fun." --Locus "Mead cooks up an appetizing debut that blends romantic suspense with a fresh twist on the paranormal." –Booklist
In this vivid and compelling novel, Tim Murphy follows a diverse set of characters whose fates intertwine in an iconic building in Manhattan’s East Village, the Christodora. The Christodora is home to Milly and Jared, a privileged young couple with artistic ambitions. Their neighbor, Hector, a Puerto Rican gay man who was once a celebrated AIDS activist but is now a lonely addict, becomes connected to Milly and Jared’s lives in ways none of them can anticipate. Meanwhile, Milly and Jared’s adopted son Mateo grows to see the opportunity for both self-realization and oblivion that New York offers. As the junkies and protestors of the 1980s give way to the hipsters of the 2000s and they, in turn, to the wealthy residents of the crowded, glass-towered city of the 2020s, enormous changes rock the personal lives of Milly and Jared and the constellation of people around them. Moving kaleidoscopically from the Tompkins Square Riots and attempts by activists to galvanize a true response to the AIDS epidemic, to the New York City of the future, Christodora recounts the heartbreak wrought by AIDS, illustrates the allure and destructive power of hard drugs, and brings to life the ever-changing city itself.
Baby s in Black
Hamburg, 1960. Astrid has finished art school and now works as a photographic assistant. Her relationship with a young graphic designer, Klaus, is slowly fading. One night, following another argument, Klaus leaves, but returns late at night, excited about what he has discovered in the red-light district; a group from England playing rock 'n' roll. When Astrid eventually agrees to accompany him the following night, she doesn't know her life is about to change forever. This is the story of the 'fifth Beatle', Stuart Sutcliffe, and the love of his life, Astrid Kirchher.
Dru Anderson: Night Hunter. Knife Wielder. Heart Breaker. Dru can sense evil, which helps when she and her Dad are tracking down ghosts, suckers, wulfen, and the occasional reanimated corpse. It's a dangerous life, but it's the only one she knows. Then Dru's dad turns up dead and she suddenly finds herself in the middle of a deadly game where every move she makes could be her last. Dru is more special than she realizes - and whatever killed her dad could be coming for her next. Can Dru stay alive long enough to fall for one - or both - of the guys hungry for her affections? Find out in the heart-stopping first book in a thrilling series.
When she’s called to the murder scene, the last thing San Francisco Homicide detective Valerie Hart is expecting is for Katherine Glass to walk back into her life. Six years earlier, revulsion and fascination had gripped the nation in equal measure, as beautiful, intelligent, charming—and utterly evil—Katherine Glass had been convicted on six counts of Murder One. But the freshly-mutilated corpse in the ground-floor apartment bears all the hallmarks of Katherine’s victims. And then there’s the note, with its chilling implications. Addressed to Valerie. To stop the slaughter, Valerie has no choice. She must ask Katherine Glass to help her decipher the killer’s twisted message. But that means re-entering the pitch-black labyrinth that is Katherine’s mind, and this time Valerie isn’t so sure which one of them will survive.